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・ Eugen Bostroem
・ Eugen Botez
・ Eugen Bratan
・ Eugen Brecht
・ Eugen Bregant
・ Eugen Brodhun
・ Eugen Buktenica
・ Eugen Burg
・ Eugen Böhm von Bawerk
・ Eugen Bönsch
・ Eugen Büchel
・ Eugen Carpov
・ Eugen Celeadnic
・ Eugen Chirnoagă
・ Eugen Cicero
Eugen Ciucă
・ Eugen Coca
・ Eugen Corrodi
・ Eugen Cristescu
・ Eugen Crăciun
・ Eugen Căpățână
・ Eugen d'Albert
・ Eugen de Haën
・ Eugen Deutsch
・ Eugen Diederichs
・ Eugen Dieth
・ Eugen Dobrogeanu
・ Eugen Doga
・ Eugen Dollmann
・ Eugen Drewermann


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Eugen Ciucă : ウィキペディア英語版
Eugen Ciucă

Eugen Ciucă (; 27 February 1913 – 26 September 2005) was a contemporary Romanian-American artist known for his monumental sculptures, vivid paintings and drawings of delicate feminine figures. He spent the most successful years of his career in Italy, where he created many works inspired by the ''Divine Comedy'' and its author Dante Alighieri. Ciucă's art has been displayed in nearly 100 exhibitions across Europe and the USA.
==Education and career==
Born in Miluani village, Sălaj County,〔 Ioana Vlasiu (ed.), ("Ciucă Eugen" ) in ''Dicționarul sculptorilor din România secolele XIX-XX'', vol. I, A - G, p.138-39. Editura Academiei Române, Bucharest, 2011〕 he studied Economics at the University of Cluj (1934-1938) and later went to the Academy of Fine Arts in Bucharest (1942-1946) and the Pedagogical Institute of the University of Bucharest (1945-1947).
During the Second World War he served as a military officer and went on to create a monument to the heroes of the Romanian army at Piešťany, Slovakia (''To The Heroes'' – 1946).

After the war, Ciucă set up a studio in Bucharest where he worked until leaving Romania in 1968. He also taught Anatomy Drawing at the University of Bucharest and was Director of the Monumental Sculpture Art Studio of Fondul Plastic, UAP, Bucharest (1958-1960).
He held the first Romanian open-air exhibition on Calea Victoriei (1957) and designed ''The Festive Column'' (1964), a 20 m high concrete and stone monument that stands in Herăstrău Park, Bucharest. His major Romanian exhibition at ''Sala Dalles'' (1965), which coincided with the 700-year anniversary of Dante’s birth, brought Ciucă notoriety and international recognition.
In 1967 he was invited to Padua to build ''Monument to Dante'' in Pontelongo. Shortly after that he had two one-man exhibitions in Padua and Rome and was a major exhibitor at the ''Palazzo Al Valentino'' in Torino.
The following year he represented Romania for the International Symposium of Sculpture ''Forma Viva'' in Yugoslavia (now Slovenia) with the wooden sculpture inspired from Romanian folk art, ''The Archaic Column'' (1968).
Prompted by growing international success and the hardship and lack of opportunities in communist Romania, Ciucă left his homeland in 1968. He first moved to Venice, where he set up a studio and continued to participate in many individual and joint exhibits. His work was widely sought after by many private collectors.
Ciucă became a US citizen in 1975, two years after establishing a residence and studio in Long Island, NY. A year later, during the festivities dedicated to the Bicentennial of the American Revolution, his sculpture, ''Universal Harmony'', was put on display at the White House in Washington, DC and still remains in the collection of the Gerald R. Ford Museum.
In 1976 a series of 220 of Ciucă's paintings and sculptures dedicated entirely to Dante Alighieri were on exhibit for four months at the tomb of the poet at ''Chiostro Di Dante'' in Revenna.〔(【引用サイトリンク】url=http://www.centrodantesco.it/centro/interpretazione.aspx )
He kept working and traveling between Italy and the US for many years. In 1984, he moved his NY residence to Jackson Heights - Queens and his Italian residence to Cappricio – Padua. He retired permanently to Jackson Heights in 1989, where he continued to work in spite of his old age.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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